“Imagine a kung fu flick in which the martial artists spout Situationist aphorisms about conquering alienation while decadent bureaucrats ply the ironies of a stalled revolution. This is what you’ll encounter in René Viénet’s’s outrageous refashioning of a Chinese fisticuff film. An influential Situationist, Viénet’s stripped the soundtrack from a run-of-the-mill Hong Kong export and lathered on his own devastating dialogue. . . . A brilliant, acerbic and riotous critique of the failure of socialism in which the martial artists counter ideological blows with theoretical thrusts from Debord, Reich and others. . . . Viénet’s’s target is also the mechanism of cinema and how it serves ideology.” Program Note
Watch this film in French audio with English subtitles in the embedded version below or here: http://www.ubu.com/film/vienet_dialectics.html.
Filmmaker René Viénet (born 1944 in Le Havre) is a French sinologist who is famous as a situationist writer and filmmaker. Viénet used the situationist technique of détournement — the diversion of already existing cultural elements to new subversive purposes.
Watch this film in French audio with English subtitles in the embedded version below or here: http://www.ubu.com/film/vienet_dialectics.html.
Filmmaker René Viénet (born 1944 in Le Havre) is a French sinologist who is famous as a situationist writer and filmmaker. Viénet used the situationist technique of détournement — the diversion of already existing cultural elements to new subversive purposes.
